An Ultimate List of Classic Mystery Books Is Waiting For You

Written in 1859, this is arguably the world’s first true mystery novel. It’s a real Victorian blockbuster, featuring classic ingredients: fog-wreathed country houses, insanity, dastardly marital plots involving family fortunes, and a piece of Alfred Hitchcock-style identity swapping. 

Collins’ villain is one of the greatest in classic crime fiction, the portly, sharply witty Count Thurso who keeps his pet mice in his pocket. The count is a master criminal, but finds himself up against an unlikely—for the period—foe in the fabulous Marian Halcombe, a tough, intelligent heroine who has no truck with Victorian notions of femininity. If there had been airport bookstores in the 19th century they’d have been selling this by the ton.

A former Brussels policeman who fled to Britain as a refugee after the German invasion of his country in 1914, Hercule Poirot is one of mystery fiction’s best-loved and most enduring detectives.

With his mustache, his dandyish clothes, and theatrical air, Dame Agatha Christie’s little Belgian has a strange career that doesn’t really begin until he retires to grow vegetables in 1929 (by the time he reaches his final case in 1975, he’s likely getting on for 110-years-old, though he remains ageless).

The central figure in 33 novels, two plays, and more than 80 short stories, Poirot’s most celebrated—and filmed—cases are Murder on the Orient Express and Death on the Nile.

While both those novels showcase Dame Agatha’s flair for constructing knotty whodunnits, the dapper detective’s twinkling gifts are shown to even better advantage in The Murder of Roger Ackroyd (with its celebrated surprise ending) and the less well-known, but equally superb, Five Little Pigs, in which the brilliant Belgian ingeniously reconstructs a crime that occurred 16 years earlier.

This 1888 mystery novella came out between the first two Sherlock Holmes novels. It’s the only mystery Conan Doyle wrote that doesn’t feature the famous consulting detective.

The setting and plot, though, are certainly worthy of the pen of Dr. Watson—a gloomy country house on the Anglo-Scottish border occupied by the reclusive General Heatherstone, a former army officer who becomes strangely nervous whenever the month of October rolls around.

Our amateur sleuth, Scotsman John Fothergill West, is understandably intrigued. His interest becomes even more intense after the arrival in the area of some Indian Buddhist priests. Fans of Holmes will enjoy picking out the clues to what sometimes reads like a dry run for The Sign of the Four.

If you’re a fan of Lisa Gardner and her many thriller series, then you’ll love Ruth Rendell.

In An Unkindness of Ravens, upon the insistence of his wife, Inspector Wexford looks into the disappearance of a neighbor's husband. Despite the initial suspicion that it was another predictable case of an affair between a middle-aged man and a younger woman, Wexford must undergo a different type of investigation when his neighbor is found dead.

And when another man is found stabbed in his car, Wexford knows these two murders are no coincidence.

The fear of the reputational damage that will be done to a posh Oxford College by an outbreak of vandalism, obscene messages, and poison-pen letters lies at the heart of this tightly-knotted 1935 mystery from one of Britain’s Queens of Crime. The Dean calls in former-student Harriet Vane to investigate. She’s soon joined by her on-off boyfriend Lord Peter Wimsey. Working together the pair foil a plot to drive a vulnerable student to suicide before pouncing on the perpetrator. Sayers is at her best here, gleefully pointing up the sort virulent class snobbery that can drive a person to mad fury.

Rex Stout’s gloriously eccentric private eye—who made his first appearance in 1934—is the very opposite of an action hero. Wolfe is in late-middle age, weighs 272 pounds and is reluctant ever to leave the made-to-measure armchair in his luxurious New York City brownstone. Instead he relies on others to do his legwork, while he concentrates his brilliant mind on the crime at hand. An enthusiastic gourmet, champion orchid grower, expert darts player and a connoisseur of beer fifty years before hipsters discovered hop varieties, Wolfe is always entertaining company—the private detective you’d most like to have dinner with (especially if it’s prepared by his personal chef, Fritz Brenner).

C. Auguste Dupin’s unnamed sidekick is the first in all mystery fiction and arguably the most important. Because without him where would we be? In Edgar Allen Poe’s three genre-creating tales of detection featuring Dupin, it’s the eccentric French sleuth’s anonymous Parisian housemate who chronicles events at the Rue Morgue and elsewhere. He also introduces us to the detective’s logical methods and remains understandably awestruck with wonder as Dupin unravels apparently unsolvable crimes. Aside from his passion for antiquarian books, we learn little about Poe’s narrator. He’s possibly the biggest mystery in the trio of cases he writes about.

There's no girl detective more famous than Nancy Drew. In fact, she may be the most enduring child detective in fiction.

When a wounded homing pigeon bears the strange message, "Blue bells will be singing horses," Nancy finds herself in the center of a dangerous case. There's an elderly woman being held prisoner in a mansion somewhere, and Nancy must figure out where so she can free her. But Nancy is forced to multitask when her friend, Helen, asks her to look into the mystery of an eerie blue wheel of fire that appears outside her grandparents home each night.

Featuring two of the Queen of Crime’s less celebrated detectives, Tommy and Tuppence Beresford, Postern of Fate was published in 1973. It was the last novel Christie completed. The once sprightly Beresford’s are now in their seventies, retired, and living in a seaside resort. Life is dull and predictable until one day, Tuppence discovers a coded message in an Edwardian children’s book. This gets the aging couple back into the sleuthing game and they are soon trying to crack a cold case murder dating back to World War I that involves espionage and poison.

Originally published as Red is for Murder, Phyllis A Whitney’s 1943 mystery – her first book for adults - is set in Cunningham’s, a gigantic Chicago department store. When store sign-writer Linell Wynn’s ex-boyfriend Michael Montgomery is found dead is a display window, she’s immediately a prime suspect. However, it soon emerges that there are plenty of people working alongside her who also have reason to want Montgomery stiffed. Whitney was a terrific writer who published over 100 titles during her lifetime despite not starting until she turned forty. Her flair for creating tension is shown to good effect in The Red Carnelian. The scenes that take place in the empty, echoing and shadowy out-of-hours department store are genuinely chilling.

The author of The Phantom of the Opera may not have invented the notion of the locked room mystery (Poe had, inevitably, got there first) but this 1907 novel did much to popularize a concept that would go on to become a stand-by of crime writing. Leroux not only describes the crime—in which a criminal disappears, Houdini-like, from the locked yellow room of the title—he also provides detailed plans and diagrams, challenging the reader to solve the puzzle faster than his amateur investigator, newspaper reporter Joseph Rouletabille. The intricate plot involves a mad scientist who is working on what sounds like a prototype of the Star Trek teleporter, a secret marriage, and a criminal mastermind in disguise. Little wonder the novel was praised as “a classic” by Agatha Christie’s famous investigator Hercule Poirot.

Long before Nancy Drew or Miss Marple were on the scene, Miss Amelia Butterworth was sniffing out clues and catching criminals red-handed. That Affair Next Door centers on suspicious deeds in Butterworth's own neighborhood. Late one evening, the amateur sleuth observes suspicious activity at her neighbor’s house. The next morning, a young woman is found dead, having been stabbed with a hat pin and crushed beneath a cabinet. Veteran Detective Ebenezer Gryce is assigned to the case. At first, he butts heads with the inquisitive Miss Butterworth, but he soon learns that she has superior deductive skills, and they end up working together to solve a perplexing whodunit.

"This inaugural volume in the Library of Congress Crime Classics series, featuring the first woman sleuth in a series, is a must for genre buffs." —Publishers Weekly, starred review

The enemy and later friend of G.K. Chesterton’s priestly sleuth Father Brown, Hercule Flambeau, is Europe’s greatest jewel and art thief. He’s suave, handsome, romantic, flamboyant, and, well, very, very French—a Gallic counterpart to Danny Ocean. Unable ever to actually catch the crafty Flambeau (the name means “Flaming Torch”), Father Brown instead locates a conscience hidden behind the twinkling charm and persuades the thief to give up crime and become a detective instead. Flambeau being good is far less interesting than him being naughty, so society benefits, if not the reader. Agatha Christie was so impressed by Flambeau that some believe she took him as the inspiration for Hercule Poirot.

Baroness Emmuska Orczy’s entertaining creation is the original armchair detective, never straying (or so it seems) from his seat in the corner of a London café. He is elderly, thin as a stick, has his remaining hair swept over a bald spot, and wears a heavy overcoat, which still doesn’t stop him from shivering and sniffling. He’s called Bill Owen, but that name is seldom used. The Baroness usually designates him simply as The Old Man in the Corner. Owen made his debut in 1901 and would appear in 24 short stories, solving crimes across London with the help of reporter Polly Burton.

Published elsewhere as Death by Misadventure (USA) or Miss Phryne Fisher Investigates (UK), Kerry Greenwood’s classic series opener introduced the world to Phryne Fisher, an aristocrat, private investigator, and bonne vivante making the most of life in 1920s Melbourne. The character has gone on to feature in dozens of books, a popular TV series (currently available on Netflix), and a feature film: 2020’s Miss Fisher and the Crypt of Tears. The book that started it all, Cocaine Blues sets the template for what’s to come—vivid depictions of early 20th-century luxury, provocative examinations of gender roles and social norms, and above all, riveting adventure propelled by twists and turns aplenty.

What better way to top this list than with a whodunit from Ellery Queen? After all, Queen is “the most important American in mystery fiction,” according to Edgar Award-winning editor Otto Penzler. Ellery Queen is actually the pseudonym for cousins Frederic Dannay and Manfred Bennington Lee, who co-wrote dozens of crime fiction books together; it’s also the name of their most popular fictional character and the star of The Dutch Shoe Mystery.

As the son of a policeman, Ellery Queen knows a thing or two about crime scenes. And this one is the most baffling he’s encountered yet: an heiress is scheduled for surgery, but before she’s wheeled into the operating room, doctors find her strangled to death on her gurney. Who would do such a thing, and why?

Published in 1934, this is Marsh’s first novel and first work to feature Chief Inspector Roderick Alleyn. The inspiration came to her after reading a detective story by Dorothy Sayers, and Marsh wondered whether she could hold her own in the genre. Little did she know that she would come to be remembered among their ranks as a Queen of Crime, and that this freshman effort would be adapted into a British television series, The Inspector Alleyn Mysteries.

The plot of A Man Lay Dead concerns itself with a party game that was popular at the time, in which one guest is selected to be “the murderer” and chooses a victim. The lights go out, and when they come back on, the remaining guests are tasked with guessing who the murderer is. It’s all in good fun, but when Alleyn plays while on a weekend getaway at a country house, the seemingly harmless game ends in an actual murder. A fun puzzle reminiscent of Clue, A Man Lay Dead is a great introduction to Marsh’s work.

Marie Belloc Lowndes was one of the early pioneers for female crime fiction writers. Her novel The Lodger, which is a fictional retelling of the Jack the Ripper murders, has been adapted countless times for film and radio. The story centers on Mr. and Mrs. Bunting, who are struggling to stay financially afloat. The couple owns a lodging house in London that is their means of survival, but it hasn’t gotten a lot of attention. When word breaks loose that a murderer is on the street, a mysterious man named Mr. Sleuth checks into the lodging. The Buntings have their suspicions about the fellow, but how far are they willing to suppress their instincts for the sake of cash?

Margery Allingham’s mysteries featuring gentleman detective Albert Campion initially drew comparisons to Sayers’ Wimsey novels. Allingham soon broke free from such comparisons, however, rising to become one of the most versatile authors of the Golden Age of Detective Fiction.

Dancers in Mourning, first published in 1937, is the author’s eighth novel to feature Albert Campion. Someone is playing pranks on entertainer Jimmy Sutane, causing a great deal of stress for the music hall performer as he rehearses his latest show. Campion is tasked with finding the prankster when the backstage mischief takes a deadly turn. An aging starlet in Sutane’s orbit turns up dead. The death appears accidental, but Campion suspects otherwise. Can the gentleman detective solve this mystery before the stage lights go out for good?

In the 1970s, Amsterdam was generally regarded as the San Francisco of Europe—a magnate for hippies, flower children, and the counter-culture. The mood of the city at that time fills the work of Janwillem van de Wetering, a Zen Buddhist who spent a chunk of his life living in a commune in Maine.

Born in Rotterdam, van de Wetering wrote in English about two mismatched cops Detective Henk Gijpstra (middle-aged, happily married with a passion for gin and jazz) and Sergeant Rinus de Gier (younger, better looking with a passion for denim suits and women) who work for the Amsterdam Murder Brigade. They make their debut in this quirky, off-kilter escapade from 1975 which sees the pair investigating a death amongst the long-haired followers of an Eastern cult.

In Daphne du Maurier’s masterpiece, an unnamed female narrator is swept off her feet by wealthy widower Maxim de Winter. The narrator feels as if she's living a dream. Upon arriving at the estate, however, she finds herself thrust into the shadow of Rebecca, the first Mrs. de Winter. As she feels herself fading in comparison, the housekeeper senses weakness and begins her own campaign of torment and manipulation. Can the protagonist withstand the mind games and expose the dark truth about Maxim's first wife? 

R. Austin Freeman pioneered a new type of mystery fiction: the inverted detective story. Tales like “The Case of Oscar Brodski” are divided into two parts. In the first, the reader is given an account of the crime—in this case the murder of a London diamond dealer—that takes in every detail including the name of the killer, his method, and his motivation. In the second half, Freeman’s great criminal pathologist, Dr. John Thorndyke, arrives on the scene, using physical evidence, questioning, and logical deduction to catch the criminal. The fun for the reader is following the process of detection as it takes place. In the masterful hands of Freeman, it’s a remarkably exciting ride.